Learning is Talking, Teaching is Listening
Creating "Sticky" Ideas and Designing Compelling Learning Experiences
Thursday, March 10, 2022
Wednesday, March 9, 2022
I started teaching kindergarten in Teller, near Nome, Alaska in the fall of 1996. I was an enthusiastic and very inexperienced teacher at that point in my life, as well as being a mother of a toddler. There was so much to learn from my Inupiat kindergarten students and paraprofessional teachers during my 5 years in Teller. In the fall of 2004, I left the far north to work with home school students (preK to high school) in the Prince William Sound area. After 5 years as an advisory teacher to home school families, I re-entered the classroom in Valdez. Initially, I worked as a paraprofessional, then I stepped into the role of "Gifted and Talented" teacher for 2 and a half years. Eventually, in the fall of 2013, I was hired as one of the three kindergarten teachers in Valdez. I enjoyed the creative and wildly energetic nature of my kindergarten students for the next 8 years, until I retired in the spring of 2021. Combined with my five years in the kindergarten (and PreK) in Teller, I devoted 13 years to my young students.
I can't recall when I first read the book Teacher by Sylvia Aston-Warner. In 2013, I wrote briefly about this unique book in this "brain care" essay. In that essay, I wrote...
"One of the first books that changed my outlook on literacy and culturally appropriate teaching is Teacher by Sylvia Ashton-Warner. In the 1950's, the author taught in Maori schools using revolutionary techniques that based literacy lessons on the children's authentic stories. When I worked in the Alaska Native village of Teller with kindergarten students, I helped the students to make their own books in which they illustrated and dictated short stories about Inupiaq cultural values such as "love of family" and "hunter success." In this way, students were strengthening these personal memories at the same time that they were working on transferring literacy skills into long-term memory."
I recently re-read Teacher, after recommending it to a fellow teacher. My summary above is incorrect...Sylvia Ashton-Warner began teaching Maori students in 1932 and she published this book in 1963. It was inspiring to learn that, at age 61, she pursued a path of learning and teaching that is similar to the journey that I wish to take. For 10 years, Sylvia studied and taught in India, Israel, England, the U.S. and Canada, then returned to New Zealand. In 1979, she published her autobiography, I Passed This Way. This book is on its way to my mailbox, and I plan to write another post after reading it.
Sylvia Ashton-Warner was born in 1908, 114 years ago. She started teaching 90 years ago, when my grandmother, who is still lively and humorous at age 99, was in the 4th grade. Our world was so different 9 decades ago, and her experiences in rural Maori villages were very different than my experiences in rural Inupiaq villages, yet her observations about young children and their creativity are applicable to all classrooms.
She explained, in her exuberant style, "I like unpredictability and variation; I like drama and I like gaiety; I like peace in the world and I like interesting people, and all this means that I like life in its organic shape and that's just what you get in an infant room where the creative vent widens. For this is where style is born in both writing and art, for art is the way you do a thing and an education based on art at once flashes out style." "On the five-year-old level the mind is not yet patterned and it is an exciting thought. True, I often get the over-disciplined European five, crushed beyond recognition as an identity, by respectable parents, but never Maoris; as a rule a five-year-old child is not boring. In an infant room it is still possible to meet an interesting, unpatterned person." (these quotes can be found on pages 98 and 99 of the 1986 edition of Teacher)
I found many areas of overlap between her ideal classroom and my own ideal place for learning. On page 94, she explains that she tries to "bring as many facets of teaching into the creative vent as possible, with emphasis on reading and writing. And that's just what organic teaching is; all subjects in the creative vent. It's just as easy for a teacher, who gives a child a brush and lets him paint, to give him a pencil and let him write, and to let him pass his story to the next one to read. Simplicity is so safe. There's no occasion whatever for the early imposition of a dead reading, a dead vocabulary. I'm so afraid of it. It's like a frame over a young tree making it grow in an unnatural shape. It makes me think of that curtailment of a child's expansion of which Erich Fromm speaks, of that unlived life of which destructiveness is the outcome." If I imagine walking into her classroom, this is what I envision seeing, based on her detailed and sometimes self-deprecating descriptions in Teacher:
- joyful children in motion, dancing around, chattering with each other and sharing their work
- the combined sounds of conversation, blocks falling, piano music, frustrated crying, and a million questions being asked about all things under the sun
- children leaning intently over their writing/ drawing/ painting work, lost in the moment of creation
- natural objects for children to study--rocks, leaves, bugs, etc--treasures from their rambles outside
- well-used books that were written by the children as well as some readers that focus on Maori life
- a celebration of children's best attempts to communicate through writing and art
- some elements of a "traditional classroom", such as children copying their personal "organic key vocabulary words" on the chalkboard and reviewing these words on cards with each other
"I talk to them all day. I answer thousands and thousands of questions. Mainly they teach themselves. More and more I think that my converse with them is the main consideration. I have a very high standard of written composition. But often the noise is too much at my age. And this particular brand of discipline. There's discipline all right. But it's the inner, instinctive discipline that obliterates the external, the imposed brand. But oh, life is so appallingly short. I hope I have the courage to run a real infant seedbed, allowing the marvellously abstract pattern of behaviour that pushes up from the unconscious. When I'm rocking in my armchair at ninety and looking back I'll never forgive myself if I haven't used this time. Think of the regret that old age could be! To review the past and perceive what you could have done! Had you the courage!"
I will end here and write a post tomorrow about the ways in which Teacher inspires me to action as well as the more painful, discouraging parts of her book.
Sunday, September 10, 2017
My Kindergarten "Morning Meeting"
- a predictable, easy-to-read morning message with emphasis on sight words
- a mixed up version of this morning message (done by the student of the day and 2 friends)
- calendar skills (counting to special days as well as place value for how many days we've been in school)
- estimating skills
- riddles based on the letter of the week
- a "show and tell" time for the student of the day
- a read-aloud book (if we have time)
Here's our predictable, easy-to-read morning message with emphasis on sight words, which are written in red. The words on the larger white board are written on magnetic sentence strips, which are easy to order from Amazon. The sentences on the smaller white board easel are just written in dry erase marker.
In the photo below, you can see how the student of the day and 2 friends are working together to mix up the message. I love listening to their conversations during this time because they help each other to read the words and put them in an order that will sound funny, such as putting "to" and "to" together to make "tutu", the ballet costume. This "mixed up message" activity happens while I am greeting the other students and sending the attendance/lunch count to the office. When this is done, I call the students to their spots at the carpet so that we can start the morning meeting.

In the space on the lower left of the photo, you can see where we were estimating the number of dominos that I put in a small plastic jar. On the 5th day of school, the estimates ranged from 5 to 6,000 because the kids wanted to show their peers that they knew large numbers. The actual number of dominos is circled (9) I use the "fairness jar" to pick 4 students to do the estimates so that we don't spend too much time on this activity. I do think that it is an exciting way for kids to build fluency with estimating and the symbolic form of the numbers they have chosen. After I write down the estimates, they are motivated to count as a group to find out how many objects are really in the jar.

Friday, February 13, 2015
Saturday, March 29, 2014
Learning Final Cut Pro X at ASTE 2014 with an amazing teacher, Mr. Larry Jordan!
At the 2014 ASTE conference, I spent a fast-paced 6.5 hours with Mr. Larry Jordan learning some of the tools and tricks for Final Cut Pro X. I chose this class because I am helping two local filmmakers in Valdez (SEED Media) to edit the footage they captured with students in the spring of 2013. I set this documentary film project in motion in February 2013 when I realized that we had an amazing opportunity to film this school (built in 1965) and interview key community members before the school was torn down in June, 2013. I organized funding for this project ($10,000 from sources including the City of Valdez, Alyeska Pipeline Service Company, Copper Valley Telecom, and private donors) and helped with the logistics of six full days of filming with a small team of middle school students and SEED media filmmakers Thomas Tapp and Jorge Arcinega. Last May, I purchased my own copy of Final Cut Pro X so that I could learn how to edit and create video pieces at a higher quality than iMovie projects.
Last week, this project was highly ranked for an Alaska Humanities Forum grant, but it did not receive funding due to a high volume of quality applications for the AKHF grants. I am now searching for funding for the final editing phase of this project so that we can complete the film and have a "red carpet premier" event when the new middle school opens in early September, 2014. Using Final Cut Pro X and the lessons I learned from Mr. Larry Jordan, I am doing some preliminary editing work and "scrubbing" the footage to find the best segments and quotes for the final movie. When I am stuck, I can always refer to Mr. Jordan's extensive online collection of video tutorials about Final Cut Pro X. I hope that ASTE continues to bring Mr. Jordan to this annual conference so that other educators can overcome the "intimidation factor" about using Final Cut Pro X and use this powerful program to teach students how to create high quality films.
Reading about teaching and brain research...
I love to read. This is something that my kindergarten students know very well, because I read an average of 6 books a day out loud (with plenty of expression) at the beginning, middle and end of our days together. I talk with my kindergarten students about my favorite books and my love of reading. I get very excited when they read their favorite books to me and to each other.
During spring break, I had some time for professional reading. I read The Future of the Mind by Michio Kaku and The Smartest Kids in the World by Amanda Ripley. Now, I am thoroughly enjoying Mission Possible by Eva Moskowitz and Arin Lavinia about the Success Academy schools in New York.
The book includes a DVD with lessons taught by Success Academy teachers. Here's a taste of the book's message: "Rigor is a mind-set and an attitude about kids and their capacity to think and solve problems. It's a belief system. It's the conviction that we're harming kids if we don't treat them as smart and thoughtful. Everyone agrees that it's easier for very young children to learn a new language. Well, we think they can learn everything more deeply and faster than our country seems to give them credit for. People commonly think rigor is simply about the curriculum. That's important, but what matters even more are the adults and the power of their instruction--and how effectively the teacher works to make the students think. Rigor is a core value of ours. We think it is important. We believe in it for its own sake. We think it improves our community and the world around us."
Here are some key ideas from the two books I read during spring break...
Michio Kaku's book gives a historical overview of brain research and major insights about brain functioning from the last few decades. Then, he travels into the future with chapters on "telekinesis", "telepathy" and the question of whether we can "download" our consciousness and memories in a digital form that can be preserved and replayed on computers. I was especially interested in the research being done on depression and other forms of mental disorders, since I know a number of people who deal with "seasonal affective disorder" or another form of depression. On page 208, Dr. Helen Mayberg explains, "Depression 1.0 was psychotherapy--people arguing about whose fault it was. Depression 2.0 was the idea that it's a chemical imbalance. This is Depression 3.0. What has captured everyone's imagination is that, by dissecting a complex behavior disorder into its component systems, you have a new way of thinking about it." The Future of the Mind book gave me a great foundation for understanding the research findings that we will be hearing about from the Obama administration's BRAIN project (Brain Research through Advancing Innovative Neurotechnologies) and the European Union's Human Brain Project.
The Smartest Kids in the World by Amanda Ripley is based on extensive research about school performance as measured by the "PISA" test (Programme for International Student Assessment) developed by the OECD (Organization for Economic Cooperation and Development) To write this book, Amanda Ripley documented the experiences of 3 American students who chose to study in highly ranked "top education outcome" countries: Finland, South Korea and Poland. This book is a great "big picture" look at the issues facing educational reform in the US. The message here is the same as the Mission Possible book--invest in teacher education programs and make sure that only the best and brightest are hired to teach in our schools. This is a challenging reform to pass in our country, because we have had relatively low standards for teacher preparation and hiring for so many years. We need to find a way to move away from "salary incentives based on test results" and towards the creation of teaching programs that replicate the success of the best schools in our nation as well as the best schools in other countries.
"Bananza!" Simple ways that I use technology daily and weekly in kindergarten
"Bananza!" is what we say when we get a great idea in my class (thanks to the book Monkey Ono by J.C. Phillipps) Every day, I love taking photos of my kindergarten students and their work in class. I don't have parent permissions to publish individual student photos at this point, so I'll just stick with the photos of their work.
Here are the simple technology tools that I use on a daily and weekly basis to support learning in my kindergarten classroom:
- A digital camera allows me to celebrate the students' work and to catch their projects before they are taken apart to create new projects. The camera also allows me to celebrate friendships in our classroom. I print out and put photos of friendships in our class photo book as well as putting some photos on the wall as a reminder of the important of friendships and "sticking with your buddy" (from the book Officer Buckle and Gloria by Peggy Rathmann)
- A digital video camera allows me to film the students as they read independently (or do their best to recall the words from the story.) My camera (Canon vixia HFR21) is not "top of the line" but it has worked well for several years. It is important to have a tripod for stability and a good microphone for sound quality. I experimented with the Canon camera microphone (not so good) and 2 cheap "lavalier" microphones (not good at all!) I tried having the students use the video camera on my MacBook Pro with a USB headset microphone. The students loved looking at themselves while they were reading, but the audio wasn't the best quality and the headset kept falling off. Now, we are using a Shure headset microphone with the Canon camera. Twice a year, I give families a DVD copy of their child reading (at Christmas and at the end of the year) as well as copies of the digital photos I have taken in class. In addition to "celebrating our reading" videos, I have made 2 "backwards math videos" with the students in iMovie. My students must think that I am crazy, because I encourage them to knock down their own block structures or mess up their pattern block designs. When this film footage is slowed down and run backwards, the students see themselves magically creating their towers and patterns out of chaos. Very amusing...
- Color printers and copiers allow me to create beautiful books with the students. We have 3 types of books that we create on a regular basis in our classroom. We make birthday books for each student with pages that say, "I like (name of student who is having a birthday) because....." The original pages are created with colored pencils and ball point pens, then the birthday book pages are copied in color so that the original can go home with the birthday student and the copied pages can go in our birthday book collection. We also create "riddle books" with riddles that students create at home based on the letter of the week. For our "student of the day" books, the students write down stories in a journal with help from their family at home. Then, I use the color copier to make copies of these journal pages so that we have a back up copy if the journals are lost.
- in the future, I plan to use a digital voice recorder to capture audio of students reading books, telling stories or discussing their ideas.